Wynton Marsalis the Hobby Center for the Performing Arts May 24

Branford Marsalis

Branford Marsalis and Joey Calderazzo To Perform At The Hobby Centre

Publication: MusicDoingGood.org
Engagement: Feb 15, 2012

NEA Jazz Master, saxophonist and nine-time Grammy® Award Winner Branford Marsalis joins pianist Joey Calderazzo live, on-phase on March 23, 2012, eight pm at the Hobby Center for the Performing Arts, Zilkha Hall, 800 Bagby St., 77002. The concert is comprised of selections from their latest CD release, Songs of Mirth and Melancholy. This performance is one in a series of four benefit concerts for Music Doing Good in Schools, an innovative, interdisciplinary, musical arts, later-schoolhouse enrichment plan for students ages 7 to 18 who want to have their skills to a higher level. Ticket proceeds also become to support Music Doing Good's Musical instrument Aid and Scholarship Fund.

Branford Marsalis and Joey Calderazzo have mesmerized audiences with their passionate and profound collaboration since the release of their latest anthology, Songs of Mirth and Melancholy (© Marsalis Music, 2011). Read more than »

Route Trip! Branford Marsalis + Joey Calderazzo at the Portland Jazz Festival

Publication: Seattle Weekly Web log
Author: Chris Kornelis
Engagement: February 15, 2012

Last twelvemonth, Branford Marsalis told Seattle Weekly near "The Problem With Jazz": why old records sound amend than new ones, why the genre feels too much like an exclusive club, and how there's and then little skillful jazz these days that when he hears something good, "it shocks me." The interview went viral, sparking myriad Internet debates. Read more than »

Grammy Preview: The Best Albums of 2011 From Superlative to Bottom

Publication: Huffington Mail
Author: Michael Giltz
Date: Feb x, 2012

Michael included Songs of Mirth and Melancholy from Branford Marsalis & Joey Calderazzo in his all-time of 2011 list. Follow the link to check out his other choices.

6. WYNTON MARSALIS AND ERIC CLAPTON Play the Blues / BRANFORD MARSALIS AND JOEY CALDARAZZO Songs of Mirth And Melancholy (trad jazz) Surely the Marsalis brothers hate having all their work linked. Oh well. Wynton has found new purpose and a sense of joy via collaborations with the likes of Willie Nelson and now Clapton. Their jam session brings out the all-time in both of them. (Who knew "Layla" would prove so malleable?) And does anyone in jazz have a more gorgeous tone that Branford? For sheer sonic beauty, it'south the best since Getz. HIs anthology is also a collaboration and it leans more heavily on melancholy than mirth. Smashing stuff. Read more than »

Branford Marsalis @ Proctors, 2/three/12

Publication: Times Union Arts Talk Weblog
Author: Michael Eck
Date: February iv, 2012

There was some big listening going on at Proctors Friday night, onstage and off.

Naturally, the audition, which had paid its coin, had its ears on, but saxophonist Branford Marsalis and pianist Joey Calderazzo had their giant ears on.

In the opening number of the duo's opening fix, Marsalis pushed his soprano against Calderazzo'due south clouds of sound. The shape of the melody recalled Jewish themes. The harmony, spare and open, came from the American south. And the result sounded similar heaven.

Marsalis and his longtime accomplice released a duo album last year, and they culled tunes like the in a higher place, "La Valse Kendall," and "The Bard Lachrymose" from that disc.

On the second number ("One Mode") Marsalis unleashed his robust tenor tone, and he connected to bounce back and forth between the two horns throughout the evening.

The gentlemen broke afterward 40 minutes and so brought out the total Marsalis Quartet for a 70-minute set that was frequently stunning, sometimes mesmerizing and ever real.

Instantly the rhythm section was dandy, with bassist Eric Revis and drummer Jason Faulker working overtime behind Calderazzo'due south now pumping pianoforte. But this is a band that understands dynamics and together they rode the swells, heartbeats and automobile crashes that make upwardly a bang-up nighttime of jazz. Marsalis' sweet soprano release, for example, at the end of Revis' "Maestra" was a breath of give up. Wow. Read more »

Jazz review: Branford Marsalis and Joey Calderazzo, musical soulmates, fill Spivey Hall with repose beauty

Publication: ArtsCriticATL.com
Author: Jon Ross
Date: January 22, 2012

Saxophonist Branford Marsalis takes his time. During his Sabbatum concert with pianist Joey Calderazzo at Spivey Hall, Marsalis' downshifted speed applied to both the programming — languid ballads peppered with occasional spunkier numbers — and his solos, careful expressions of storytelling that progressed not in a haste of notes just by deliberate syncopations and thoughtful sequences. Marsalis, of course, adapts his style on the soprano and tenor saxophones to each performance state of affairs, and in this setting, Calderazzo'southward light hand and rubato playing ordinarily called for a restrained set on.

While Calderazzo played a walking bass line with his left hand well-nigh of the time, performing without a true time-keeping bass player immune the duo to drain tempo out of the tunes, to finish and commencement, and generally to stretch out musically. Such tunes as "La Valse Kendall" and "The Bard Lachrymose" gear up the tone for the evening, simply hints of the pair'south raw power came forrard in "One Way," with a bubbly, R&B piano accessory under an aggressive saxophone melody. Read more »

Marsalis headlines CSO's next season

Publication: Cincinnati.com
Author: Janelle Gelfand
Engagement: January 27, 2012

The Cincinnati Symphony Orchestra will go on its unprecedented creative leadership system in its 2012-13 season, in which a trio of musical giants volition oversee its programs. Old Tonight Show bandleader Branford Marsalis and Pulitzer Prize-winning composer Jennifer Higdon volition join usher Rafael Frühbeck de Burgos as artistic directors, each leading their own series.

And making her overdue Cincinnati debut, opera diva Renée Fleming will perform a gala opening concert to launch the flavour on Sept. 18.

Next season will be the orchestra's last in Music Hall before the 138-twelvemonth-one-time edifice undergoes a xvi-calendar month revitalization. In addition, the orchestra continues its search for a new music manager. The 117th season will bring back music managing director laureate Paavo Järvi, who conducts in Jan for the first fourth dimension since his tenure ended with a sold-out concert last May 2013.

Concertgoers can expect a starry lineup of guest artists, including renowned violinists Joshua Bell, Gil Shaham and Sarah Chang; pianists André Watts, Yefim Bronfman and Garrick Ohlsson and the virtuoso Scottish percussionist Evelyn Glennie. Greatly deafened since age 12, she "hears" music with her whole torso.

Legendary violinist Pinchas Zukerman will perform double duty, conducting and performing music by Beethoven, Schoenberg and Mendelssohn, when he returns in February 2013.

Among the premieres, the season has Higdon's "All Things Royal," a multimedia functioning accompanied by historic images of Music Hall and Cincinnati in celebration of the city's 225th anniversary. Other premieres are a newly commissioned work by Chinese-American composer Zhou Tian, and the Pulitzer Prize-winning composer George Walker's Sinfonia No. 4, Strands, a CSO co-commission.

Spanish maestro Frühbeck will likewise conduct Mahler'due south Symphony No. 3 with mezzo-soprano Stephanie Blythe, the Cincinnati Boychoir and the Women of the May Festival Chorus (Oct. 4 and 6).

Several maestros – and a maestra – who have made an impression have been invited back adjacent flavour.

In the Masterworks Serial, French usher Louis Langrée will return for a pair of weekends in November. The starting time will include Saint-Saens' Piano Concerto No. two, featuring rising talent Cédric Tiberghien, and Franck'due south Symphony in D Minor. A 2nd program will pair Schoenberg's "A Survivor from Warsaw" with Beethoven's Symphony No. 9, "Choral."

Italian maestro Roberto Abbado will return in April to lead Strauss' "Tall" Symphony and Mozart's glorious Piano Concerto No. 24 with pianist Lars Vogt (April 12-thirteen 2013).

Marsalis, saxophonist, bandleader and member of the famed New Orleans family unit of jazz, will direct the five-concert Ascent Series. He will also appear every bit alto saxophone soloist in the "Tallahatchie Concerto" by Jacob Ter Veldhuis, a loftier-intensity piece to be conducted by Andrey Boreyko (November. 30-Dec. i). Read more »

Interview with Grammy-winning musician Branford Marsalis

Publication: Nashville Examiner
Author: Sterling Whitaker
Date: January 19, 2012

To heed to Branford's interview with Sterling Whitaker, please visit the Examiner's site here.

Branford Marsalis is i of the most historic musicians of his generation. In a three-decade career the saxophonist has worked with artists as various as Sting, Miles Davis and Harry Connick Jr., led his own bands, served as the bandleader on The Tonight Show, appeared in films and as a soloist with symphonies internationally. He is a Grammy winner and Tony nominee, and also works tirelessly as a music educator.

Marsalis' nigh recent album is Songs of Mirth and Melancholy, a duo effort with pianist Joey Calderazzo. Marsalis will perform in concert on Friday, January 20 at the Schermerhorn Symphony Centre, showcasing songs from that album too as quartet cloth spanning the range of his career.

Branford Marsalis spoke to Examiner.com almost Songs of Mirth and Melancholy, his compositional process, why live music should non require click tracks, the degrading of pop music and telly, his stint on The Tonight Show and much more in the post-obit exclusive interview. What follows are excerpts from a longer interview; to listen to the entire audio interview, click on the video at left.

Thanks to Branford Marsalis, and to Laurie Davis at the Nashville Symphony for arranging this interview.

Let'south talk near Songs of Mirth and Melancholy. Where does that title come from?

At that place's a Keats poem, and the title was "Of Mirth and …" something. Mirth and madness or something like that. And so the more I listened to the record, the more than I realized that we had a couple of songs that were quite mirthful, and a number of songs that were quite lachrymose. So I sent out an email blast to my friends maxim, "I'm trying to get the name of a title together, and it'due south gonna be Songs of Mirth, and I need a word that rings with melancholy. And lachrymose doesn't work, considering 'lachrymosity' is just too long. That doesn't work."

And so my wife writes back, "What almost 'melancholy?'" And I said, "Well, no, I don't desire melancholy, that'southward why I said I demand a word that kind of rhymes with melancholy." And she goes, "Well, melancholy seems fine to me." I said, "Aye, okay, great." And the more I thought nigh it and all these other suggestions came in, melancholy simply kept kicking me in the teeth. Then I said, "Well, all right … mirth and melancholy." Read more than »

Life on Marsalis: Jazz corking Branford Marsalis forges alee in multiple fields

Publication: Nashville Scene
Writer: Ron Wynn
Date: January nineteen, 2012

Saxophonist, composer and bandleader Branford Marsalis' accomplishments surpass those of well-nigh any other player in his generation. The oldest sibling from the famous New Orleans musical family that likewise includes Wynton, Jason, Delfeayo, Ellis III and pianist father Ellis, Branford's shown a brilliance on tenor, soprano and alto that has earned him three Grammys and an NEA Jazz Masters award. He's also been highly praised for impressive contributions to Broadway plays (a 2010 Drama Desk laurels and a 2010 Tony nomination for musical scores) and films, as well as extensive appearances with symphony orchestras and chamber ensembles, plus several  classical recording sessions.

Just when he returns to the Schermerhorn Symphony Hall Friday night for a concert that volition characteristic duo and quartet performances, he'll be focusing on the fiery, thematically various and engaging jazz that'south been his hallmark over the lengthy history of his current ensemble. In fact, emotional satisfaction remains more a signal of emphasis than technical proficiency, fifty-fifty though he's certainly amidst the premier modern saxophone soloists. Read more »

Jazz giants to share the stage at Montgomery Higher in Rockville

Publication: Maryland Gazette.Com
Writer: Cody Calamaio
Date: January xviii, 2012

Later more than a decade of working together in a quartet, Grammy Award-winning saxophonist Branford Marsalis and his longtime pianoforte player Joey Calderazzo are setting out on their own. The idea for a duo collaboration anthology was not built-in in the studio, only rather on a golf game course.

As amateur golf buffs, Marsalis and Calderazzo often would play together in celebrity tournaments. Sometimes, the organizers would enquire the pair to perform something, simply Marsalis would beg off with the excuse that there was no acoustic pianoforte on the course.

"Ane year they invited us and there was a damn pianoforte," Marsalis recalls.

Enjoying the music they made together on the green, Marsalis decided to simply invite Calderazzo to play with him equally a duo at the 2009 Newport Jazz Festival.

"At the end of that concert in August, I said, 'Hey, I'k booking studio time,'" Marsalis says. Read more than »

Listening Session with Branford Marsalis

Publication: Duke Performances The Thread
Author: Darren Mueller
Appointment: January sixteen, 2012

Announcer John Feinstein once described legendary UNC coach Dean Smith as the "almost competitive human beingness" he had always met. Smith was and then competitive, Feinstein said, that he'd even compete in an interview. The same could be said of saxophonist Branford Marsalis, another local fable, who joined Duke Performances Manager Aaron Greenwald for a listening session at Durham'southward Motorco Music Hall on January 12. Ever happy to express an stance, Marsalis is a lightning rod for criticism as a result of his unapologetic stance on the contemporary state of jazz.

Throughout the night, Marsalis showed that he doesn't mind talking well-nigh difficult subjects. "About people that I know," he said, "are comfy when they can predict the result of the chat. See, I'm the opposite of that. I find that dull. I want someone to come and tell me I'grand total of crap and then I tin defend it. I enjoy arguing. I enjoy it because information technology'south challenging. What gets accomplished when people just agree? But I don't enjoy screaming, I enjoy arguing."

As Marsalis told the audience, this comes from his upbringing in a competitive musical family. Read more »

Marsalis Music Radio

• Branford Marsalis is featured in an interview on the new documentary 'Oscar Peterson: Black + White', bachelor now… https://t.co/bvZz0OUOaM — Posted 9 weeks 6 days agone by MarsalisMusic

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